客户：荣宝斋
项目地：北京
设计师： Abin

Rongbaozhai “Treasure Chest of Auspiciousness” 33-piece porcelain set folds three omens into one banquet. Baoxiang blossoms—lotus, peony and pomegranate fused into a single spiraling rosette—wrap every plate in petals of hidden treasure. The Eight Auspicious Emblems circle each rim in Qianlong order, their endless loop promising unbroken fortune. At the center of every lid and saucer glows Huang Yongyu’s Queen Mother of the West, her peach-outlined silhouette lifting the floral pattern into myth. The complete service of table, tea and scholar’s wares is cradled in a scarlet lacquer chest modeled on the studio’s own Ming-dynasty trunk; open the lid and a soft light projects the goddess onto the table, turning the first unveiling into a portable palace birthday rite where painting, porcelain and blessing meet.

荣宝斋“宝箱呈祥”三十三头瓷，把三重吉兆折进一席宴。宝相花取莲、牡丹、石榴合瓣回旋，层叠成“花中藏宝”的瑞气；八宝纹按乾隆官窑次序环饰口沿，法轮、宝伞等八瑞循环无尽。黄永玉手绘西王母踞于盖钮与盘心，蟠桃弧线与花瓣同势，将神话抬入吉祥花草的呼吸。三十三件餐具、茶具、文房器以“三三不尽”为意，收纳于仿清宫剔红宝箱外匣，铜角包边，开箱即亮，灯光把王母剪影投在桌面，首展即成可携带的宫廷祝寿仪式，让书画、陶瓷与祝福在当代重逢。